![]() Cyprien Katsaris has gained renown as a Beethoven interpreter not least because he is one of the few pianists. Beethoven - a Chronological Odyssey is a set of six surprising CDs that must count as one of the most original new releases in the Beethoven year. The version of ‘La Campanella’ popularly performed nowadays is the third one published in 1851 in the enharmonic G-sharp minor. 5 Hardest Liszt pieces are Cyprien Katsaris - Beethoven in a New Light. Not surprisingly, Liszt's hommage is also extremely challenging, with huge fast leaps in both hands, rapid repeating notes and more. 3 The melody of this piece comes from a virtuoso Violin Concerto by Niccol Paganini. A few years later he produced a second version, removing a lengthy introduction, and changing the key from a minor to A-flat minor, presumably so that the big jumps would land on black keys rather than white ones, making it (slightly) easier to play. Franz Liszt Paganini Etude: Allegretto (La campanella) in G-sharp Minor, S. ![]() "La clochette" is relatively little known, and rarely performed. Its melody comes from the final movement of Niccolò Paganinis Violin Concerto No. “La Campanella,” which is based on Paganini’s second violin concerto, forces the pianist to do unheard of things: awkward trills, huge leaps with both hands, and finger-twisting technique that no one had heard before even from Liszt himself.īackgroundLiszt wrote a first version of this piece and called it "Grande Fantaisie de Bravoura sur la Clochette de Paganini" in 1834, after he heard Paganini perform his own second violin concerto. This piece is a revision of an earlier version from 1838, the Études dexécution transcendante daprès Paganini, S. He resolved at that moment that he would strive to do the same with the piano. Paganini's Caprice Number 24, from his Twenty-Four Caprices for Solo Violin (Opus 1), is widely considered one of the most difficult pieces for violin solo, and has served as an inspiration for many composers.Sign up to listen & download > Liszt's magic bellWhen Liszt saw Paganini play for the first time, he realized that Paganini wasn’t just playing better than anyone else, he was playing the violin as well as it could be played. Video: Alice Sara Ott plays Liszt Etude 'La Campanella' (after Paganini). He was one of the most celebrated violin virtuosi of his time, and his works had profound influence on the evolution of violin techniques. Niccolò Paganini (1782 - 1840) was an Italian violinist, violist, guitarist, and composer. Liszt composed an extensive and diverse body of works, which influenced subsequent composers such as Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg, and Alexander Borodin. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. ![]() During the 19th century he was famous throughout Europe for his great skill as a pianist. The work has been arranged by other composers and pianists, for example by Ferruccio Busoni and Marc-André Hamelin.įranz Liszt (1811 - 1886) was a Hungarian composer, pianist, conductor, and teacher. La campanella's melody comes from the final movement of Niccolò Paganini's Violin Concerto Number 2, in which the tune is reinforced by a little handbell. La campanella ( Italian: the little bell) is the nickname given to the third of the six Grandes étude s de Paganini ( Grand Paganini Études), S.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |